This is the first presentation of the award which was established in 1992 and is given every two years.
Barber, Antonia. THE MOUSEHOLE CAT. Macmillan, 1990.
This Cornish legend, retold from a feline point of view, tells of a fisherman
and his cat who brave the perils of a winter storm to bring a catch of fish
to their starving village and whose courage is still celebrated in that village
every Christmas. Barbar’s language is descriptive, well-paced, rhythmic
and sprinkled with names of Cornish foods ("star-gazy pie, soused scad")
to roll around the teller’s mouth.
BEST-LOVED STORIES TOLD AT THE NATIONAL STORYTELLING
FESIVAL. The National Association for the Preservation and Perpetuation of
Storytelling, 1991.
Thirty-seven stories culled from hundreds which have been shared during
the past nineteen years of the annual Festival in Jonesborough, Tennessee.
This book serves as an introduction to the telles as well as their tales,
and a diverse and talented lot they are. Here is something for everyone.
Davis, Donald. LISTENING FOR THE CRACK OF DAWN. August
House, 1990.
After years of public performances, Davis was persuaded to set in print
these stories of his growing-up years in western North Carolina during the
1950’s and ‘60’s. Whether his subject is schoolboy shenanigans,
the eccentricities of a maiden aunt or the anguish of a friend who went to
Vietnam, Davis’ voice is singular, wry, sharply observant and keenly
felt.
Demi. THE EMPTY POT. Holt, 1990.
When the Emperor of China decides to choose his successor, he devises
a way of determining the honesty of the children in his empire. Risking public
humiliation and the possible wrath of the Emperor, little Ping is the only
child to pass the test. New storytellers, especially children, will find this
gem of a tale easy to learn and tell.
Goldin, Barbara Diamond. A CHILD’S BOOK OF MIDRASH:
52 JEWISH STORIES FROM THE SAGES. Jason Aronson, 1990.
Drawn from the Talmud and other rabbinic writings, these stories, which
display humor, mystery, adventure and faith, are an excellent source for short,
pithy stories. Some read like fairy tales, others are more philosophical.
All are told simply, eloquently, and carry a universal message of respect
for the lives of others.
Hamilton, Martha and Mitch Weiss. CHILDREN TELL STORIES:
A TEACHING GUIDE. Richard C. Owen Publishers, 1990.
An infectiously enthusiastic book on the methods and merits of teaching
storytelling to children. As one child wrote, "zI’m not a good
reader. But everyone said I’m a good storyteller." This book is
imaginative, inspiring, easy to read, and tremendously engaging, with superlative
photographs which attest to the project’s success.
Kesey, Ken. LITTLE TRICKER THE SQUIRREL MEETS BID DOUBLE
THE BEAR. Viking, 1990.
When the biggest bear goes on a hungry rampage, only sassy Little Tricker
the Squirrel outwits this formidable enemy. Kesey treats his audience, of
any age, to a generous helping of sly, down-home humor, chock full of images
that beg to be shared aloud.
Knudson, Barbara. HOW THE GUINEA FOWL GOT HER SPOTS.
Carolrhoda, 1990.
A Swahili "pourquoi" story relating how the Cow gave her
friend Nganga her protective coloration. The vivid, direct language makes
this an ideal choice for beginning storytellers.
Lester, Julius. FURTHER TALES OF UNCLE REMUS: THE
MISADVENTURES OF BRER RABBIT, BRER WOLF, THE DOODANG, AND OTHER CREATURES.
Dial, 1990.
Thirty-three Black American folktales in which the animals exhibit
human foibles. Lester updates the stories with tongue-in-cheek, contemporary
references. His relaxed narrative with conversational asides is an ideal voice
for these enduring favorites.
Martin, Rate. THE HUNGRY TIGRESS: BUDDHIST LEGENDS
AND JATAKA TALES. Parallax Press, 1990.
The largest collection of Buddhist legends available in English, includes
tales from the days when the Buddha lived i n various animal forms as well
as stories of the Buddha’s historic and mythic-symbolic life. Written
in tellable form, the tales concern values of courage, perseverance, love,
humor and respect. Commentaries that explain the stories in context of Buddhist
philosophy and teachings are also included.
May, Rollo. THE CRY FOR MYTH. W.W. Norton, 1991.
Myths are like the beams in a house; not exposed to outside view, they
are the structure which holds the house together so people can live in it."
Writes the eminent psychoanalyst Rollo May, referring to both society at large
and the psychology of the individual. Exploring diverse myths from oral and
written literature, May reveals the to be landmarks, providing direction and
a sense of community in an alienated, morally confusing world.
Paterson, Katherine. THE TALE OF THE MANDARIN DUCKS.
Lodestar, 1990.
Newbery prize winning Paterson retells a Japanese tale with beautiful simplicity,
weaving together complex elements—a double love story, an expression
of the values that make love possible, and an understanding of the interconnected
needs of animals and their human counterparts.
Yolen, Jane. GREYLING. Philomel Books, 1991.
A lonely fisherman and his wife long for a child until the day they
discover an orphaned seal pup who turns into a little baby boy even before
he enters their cottage. A lyrical retelling by a master storyteller of a
selchie story that captures the haunting essence of an old Scottish tale.
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